final: pali tunnel

adobe flash: falling feather

mood board: final

i plan to create a scene like those done by JR Schmidt {http://www.behance.net/jrschmidt} and add to my photo mystical/fantasy elements.  i will use color and geometric forms to create depth and space.  The final piece will be a circle.  

{type design...&}

{simplistic movie posters}

mood board

anti hero

     foxsea is a unicorn/fox breed that lives under and around the sea. he spreads love with gem slingshots and  glitter potions. his best friend is a seahorse who dreams of having a horn. they sometimes leave their home in the deep blue for the life of flying through the clouds. foxsea dreams of touching the stars. an old myth says that if enough love is spread throughout the world, all wishes will come true...

font making

infographic: building taiko

infographic layout

          This was my original idea for a layout for the infographic on how to build a wine barrel taiko drum.  The hibiscus icons come from the design/color of the 'happi coats' Zenshin Daiko wears when performing.  The main graphic of a taiko amidst production.  I split the process stages up into the most reasonable categories, beginning with a short introduction of the group.  

photoshop/illustrator poster

infographic preliminary research: building taiko drums

In 2003, Stanford Taiko came to Maui and learned from the group I was a part of, Zenshin Daiko, how to construct basic chu-daiko's.  And this, is the manual they created from their experience:
http://www.stanford.edu/group/stanfordtaiko/manual/process.html

My good friend's father makes taiko, this is his website:
http://www.katotaiko.com/#

But the taiko community uses a video Stanford made of ZD making drums as the standard for making this type of taiko now.  I have primary resources including my dad and uncle who are the one's who began making the drums this way.  I have also helped in constructing them.

{illustrator self portrait}

adobe illustrator animal - pueo

adobe illustrator

road map ii

               Jaelynn; Sado Island, Japan 2009         Jaelynn; Sado Island, Japan 2009

Road Map {Prediction}:

- adjust levels {bring out the background}

- adjust curves {make sure not to let her dissolve into the background}

- crop or edit out the foot

Road Map {Actual}:

- cropped out foot on right

- adjusted levels {brought out the background}

- adjusted curves {separated her from the background}

- adjusted brightness

- lasso'd and created a new layer for the background

- adjusted background layers

- had to go back in and try to blend/blur/heal her outline {the most obvious screw up is her left hand -__- } and then i had to go back in and painstakingly paint back in the colors of the background to help blend it better. i have learned i hate the healing tools.

- lasso'd and created a new layer for her obi {sash/tie}

- adjusted the levels on the obi to bring out the neon color

i like that the adjustments on this photo make such a huge difference.  there is a bit of noise though, but i think it adds to the photo and makes it look like a film print.  also, the darkness that was brought out in the shadows really helped give the photo depth.

xo

road map i

            Lanterns; Japan 2009 {original}                  Lanterns; Japan 2009 {edit}

Road Map I {Prediction}:

- adjust exposure {to make lantern color brighter}

- adjust levels {to make the background get pushed further behind the lanterns}

- edit out the building in the back {keep the focus on the 'hanging' so to take away the feeling/element that attaches it to the ground}

- get rid of some of the telephone wires

Road Map I {Actual}:

- adjusted levels {brought out the sky}

- adjusted curves {create a color difference between the lanterns and the sky}

- i played around with the healing tools to take out the building and some of the power lines but didn't like the look of it {i thought it looked fake}, so i decided to leave them in

- lasso'd the lanterns, and created a new layer

- adjusted the levels of the lanterns

- adjusted the brightness of the lanterns

- adjusted the contrast of the lanterns

it's kind of unfortunate that this time i was in japan, the weather wasn't the nicest.  but in general, japan, in tokyo {and other large cities} are always very gray.  the sky is so infiltrated with city pollutants that they rarely see blue skies.  it is almost amazing to me that the blue was able to be pulled out from the back.  but the dark skies also affect the photos and the lighting cast on/through objects such as the lanterns.  so brightening them up, in hopes that they look more 'normal' was my goal.

xo

{peer photo review}

     This photo of Trombley is unique in the sense that there is an interesting perspective, good use of the 'rule of thirds' in that the clock and and horizontal break of the photo are at approximate 1:3 ratios in their given placements.  There is good apparent texture in the photo which I love because it adds to the 'feeling' that you are in the flowers looking beyond.  This may be an insignificant fact, but that the time is almost 3:00 makes me feel this slight anticipation in time, gives the photo more life than it would have been if it were closer to an exact hour.  The fact that the sky was gray and the colors of both the trees and library roof in the background, as well as the black top of the clock, and the plants and flowers are the only thing that are really 'colored' in this photo give it a weird illusion of a black and white photo, that was color edited to include the colors of the vegetation.  It is kind of an interesting juxtaposition of elements because the trees are obviously dormant, in winter mode, and the weather also suggests that, but the flowers are still in bloom.  Without knowing that the school plants these flowers and they aren't just growing on their own in the middle of winter, this photo is thought provoking.

      There are a few things that I think could have been altered in order to make the photo composition stronger.  I would have actually liked if the focus of the photo was on the flowers rather than the clock itself.  It is completely a personal preference, taking to the plants more than to the brick clock that I see everyday.  It would have shown how much focus isn't put on something that is also always in our path.  I feel like if the clock and background were blurred we'd still be able to know where the photo was taken, and a bit of mystery would have been added to the image, not knowing the time and possibly not having the library roof so apparent.  Which brings me to my next point, that even if it may have been impossible to get the library roof out of the shot, I feel like a photo without it present would have been better because it takes away from the subject.

     Great shot!

xo

{pixiq: article review}

     This article about photography tutorials is awesome. It has 250 separate links to tutorials of almost anything that has to do with cameras and photography.  I find that it can be useful to this class because there are answers to questions anyone may have about cameras/camera equipment/understanding settings, etc. there are tutorials that can cause you to ask more questions, tutorials that allow you to be creative and achieve better photos using different types of editing skills.  There are tutorials that help you make sense of the f-stop scale, understanding exposure, there are how-to's of pretty much anything you could possibly imagine.  There was an article about knowing your limits {as a photographer} so you're able to fix/adjust them {whether it be buying new equipment, switching stuff out, lighting, etc.}.  Teaching you about camera lenses for indoor photography, outdoor photography, portrait photography.  Why you should get an external flash, and more importantly...how to use it.  

     Some of my favorites include how to improve seascape/mountain/macro photography, shooting at the beach/in the snow/in the rain, coloring an old black and white photograph, how to fake tilt-shift photography, photographing smoke and time-lapse photography.  There was even an article about film!  I feel like this article is like a golden pre-'favorited' page for photogs and an awesome go-to for any help/advice needed.  Definitely going to make use of this...

xo

photoshop {noise-reduction edit ii}

old lahaina sugarcane smokestack original at 100%

old lahaina smokestack edited at 100%
{levels, curves and exposure were adjusted first.  then photofilter, vibrance were added/adjusted.  lastly some sharpening, color noise-reducing & blurring were introduced...}

                                        original                                                    noise-reduced